Yes, I like the angle & profile very much, too. Also like the 'cleanl' composition, the geometry of the building vs. the soft lines of the car. But I just realized that what makes the biggest difference for me, the thing that makes is a much better photograph, and not just a brochure looking shot, is the addition of the figure. The car & the guy have a relationship, and it provides good tension. His informal posture is different than the formality of the car. Don't need to see his face. Glad his detailing tools aren't visible, though. Seems to be some passive energy, some expectation, some dignity, in the photo. Very rich shot, great job
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